
The East in Exaggeration: Asian Influence on Art Deco
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There’s a reason Art Deco doesn’t do subtle. The entire movement was a fever dream of excess—gold-trimmed skyscrapers, lacquered everything, and geometric patterns sharp enough to cut. It was a global flex, a champagne-fueled middle finger to the Great War, and a declaration that the future was here. But behind all the jazz-age swagger and European bravado, the Art Deco aesthetic owed a massive debt to the East.
Asia wasn’t just an influence—it was a foundation. From the stylized dragons of Chinese lacquerwork to the serene symmetry of Japanese prints, the movement devoured Eastern aesthetics and spat them back out in high-contrast, high-gloss splendor. The results? Pure dynamite. Let’s take a look at how Art Deco stole from—er, paid homage to—the Far East and turned it into one of the most defining aesthetics of the 20th century.
And then there was Makie, the Japanese lacquer technique that turned furniture into black mirrors dusted with gold. French designers went wild for it, incorporating the technique into sleek, high-gloss surfaces that defined Art Deco interiors. The result? A look that felt modern but still carried centuries of craftsmanship in every detail.
The Legacy: Still Gilded, Still Bold